Saturday, April 28, 2007

Insert Lame Pun Featuring the Word "Next" Here

Stacy and I decided to catch a movie last night after work. I am so used to seeing matinees and movies on weekdays that I often forget who goes to movies on Friday nights. Chiefly, a bunch of kids. I watched as date after date purchased tickets for Disturbia. Each boy hoping that the scary movie will land him some first or second base action. Man am I glad I don’t have to do that anymore. Speaking of Disturbia, the current viewing sold out as I sat waiting for Stacy. Good thing we were going to see Next instead. I was surprised at the lack of patrons when we entered the theater. I’m thinking that Disturbia will beat Next in this weekend’s box office fight. Ah well, no biggie.

Next stars Nick Cage as a Las Vegas magician, Cris Johnson (stage name Frank Cadillac,) that just happens to have the ability to see two minutes into the future as long as it involves him. Julianne Moore plays the hard-ass FBI agent, Callie Ferris, who somehow knows about this ability (even though Cris keeps it private,) and wants to recruit him to track down a rogue Russian nuclear bomb. Jessica Biel plays Cris’ love interest, Liz, who is the first to break the basic premise of the movie because Cris saw her in his mind days in advance of meeting her. No real reason to mention anyone else except for Peter Falk, who I thought was dead and coincidentally looks like he’s on his last legs. His part as friend/father/roommate/fence/gay lover, (the movie wasn’t too clear on their relationship,) Irv, was short, but it was good seeing Columbo back on the big screen even for a few moments.

I liked the movie. It was entertaining. It did, however, have plot holes you could drive a truck through. For example, how did the FBI agent know about Cris’s talents and that they were genuine? How did the Russians smuggle a nuclear weapon into the country? Oh, that’s right, they had a friggin’ army on the docks. How did they create a well-armed militia in a Los Angeles dock without anyone noticing? Why did the Russians smuggle a nuclear weapon into the country? Why do they want to detonate it in downtown LA? Isn’t the cold war over? Were they part of a terrorist group of some sort? What was their agenda? How do they know the FBI is after Cris in an effort to foil their plot? Why do they pursue him with a single-mindedness bordering on obsessive when they presumably don’t even know what he can do? Why is Callie such a cold-hearted bitch? (Okay, that’s not a plot hole so much as a complaint about the stereotype the director shoe-horned Moore into.) Lastly, why set up a premise involving a strict time limit on Cris’ prescient ability and then blow it out of the water in the last five minutes of the movie?

The plot holes are really the only complaint I have about the movie. It had some great scenes that kept me engaged the entire time. It wasn’t until I looked back that I thought of the gaps in the story. Cris’ prescience set up some great chase scenes, such as the high-speed drive through the streets of Las Vegas. We get to see Cris demolished by a train in an unsuccessful attempt to cross the tracks, only to pan back to the road where Cris is gunning towards the tracks in reality. This time, he punches the gas harder and makes it by the paint on his bumper. Another thrilling chase scene takes place during a man-made landslide as he evades the FBI. Good stuff right until the end. My favorite scene (besides Jessica Biel dripping wet in a towel,) involved Cris using his power in a way that reminded me much of Jamie Madrox, the Multiple Man of X-Men comics and X-Men: The Last Stand. We get to see him using his ability to choose diverging paths during his two-minute window. The result is 20-30 Nick Cages on screen poking around a deathtrap to find his love. Good stuff.

While not Nick Cage’s (or the supporting cast’s,) best work, this was a solid entry in the otherwise lackluster movie releases of the past couple of weeks. It is also notable that the original story, The Golden Man, was written by Philip K. Dick, author of Do Androids Dream of Electric Sheep? (Blade Runner) among other Hollywood-adapted stories.

I give Next two and a half fortune cookies on a scale that I just made up that doesn’t mean anything.

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